Showing posts with label Recreating the Ballroom. Show all posts
Showing posts with label Recreating the Ballroom. Show all posts

Monday, December 10, 2012

Fezziwig's Ball 2012

This Saturday was Fezziwig's Ball! Hooray! It was wild and fun and a great success. But I was chastised repeatedly for not posting anything in my blog, so I must be better now. Life is hard (and so is grad school, go figure!). I had been toying with the idea of making a new ballgown for this event, but had given up on the idea when I realized how busy I am. On Thursday night, Mother convinced me to go for it. So we worked Thursday night, and Friday night after a long day of work. Then I worked through the day on Saturday, and wore the dress (mostly finished) to the ball that night! Whew. There are some unfinished edges that you can't see, and obviously no closures (why do I never get as far as closures???), but it was a pretty solid effort anyway. I'll write a different post about my dress, and for now mostly show you great pictures of people dancing. I made a real effort to get more nice photos than usual!
Raven went caroling looking just like a doll, don't you think?
Quinn is far too together. She had an amazing new 1820s ballgown (with fabulous appliques!), but also a new pelisse and lots of fur for caroling. Can't compete with all of that!
Dancing!
More dancing. I might not caption these all if I have nothing to say.
I attempt to do Art. With a capital A.
Massive Grand March
A very Grand March indeed
If you tie everyone up on one side of the room, it looks like there is more space.
I don't recall which dance this is. I think the Opera Reel.

There's Mother, on the sidelines
So much Spanish Dance
You can always spot Mr. Fezziwig, because he's so very tall!
Sneak Preview of THE CORALINE

Sunday, March 11, 2012

Events Attended - The Returning Heroes Ball

Last night was Returning Heroes! The music was amazing (if you weren't there to buy a copy of the new CD by Spare Parts, you can always go to their website and get one: http://www.bfv.com/spareparts/index.htm). The dancing was lovely. I got to talk to lots of nice people, and see some old friends. But let's have some pictures, now. I'm going to try this caption thing, but I'm not sure I will like it...
Julia was looking awfully pretty
Julia and Sarah did a great job checking people in... and they look like a painting
My dear friend Raven got to debut her new tartan ballgown. And really cute scarlet tartan drawers, shhhhhhhh!
I wore sparkly jewelry and a feather
Close up on the bling - check out my fringe necklace! And star earrings from Vienna.
I never get good pictures of mother. She is always too busy teaching or talking to people
Obligatory Pugliese picture
Pop Goes the Weasel! A dance sensation!
We did a short German figure with flags - you have to find someone with a matching flag, and that is your partner
I think the flags are so pretty!
I call this one Plaid Battle! Raven and Julia are pretty fiercely competitive in the Gothic Dance

Monday, March 7, 2011

Sights from Returning Heroes 2011

I am so slow when I have to use actual pictures from events. Sorry. The ball was lovely, and I had so much fun meeting and talking to some truly wonderful people. It was a very nice evening indeed. Enjoy some pretty pictures of people dancing. Tomorrow I will go into the details of my outfit, but today I don't feel competent to explain anything. Look - a rare picture of me actually dancing!

Monday, February 14, 2011

After Dancing with the Dashwoods

The ball this weekend was spectacular. We had about 150 people there, which was really exciting, and most of them had at least made an effort to wear Regency clothing - some of them had really fabulous outfits. The dancing was also really exciting, and I hope everyone enjoyed dancing as much as I enjoyed watching them dance. It was just too cool! All in all, Mr. Darcy might not have approved, but I am sure Kitty and Lydia would have had a blast!
Time for the fashion show. Julia wore mother's yellow silk dress, and a pearl collar I made years ago but which has, I think, never been worn. Mother wore a beaded net overdress we had lying around over a seafoam silk underdress (which we started making at 11 PM the night before) and a turban (which I threw together experimentally that morning). I wore a new, fairly plain, cream colored dress with embroidery which we started during school break, but which Mother did most of the work for while I was at school. I accessorized with a necklace of gold filigree beads mother often wears, then twined a strand of similar gold filigree beads (earmarked for a different project) into my hair, then added a pair of really spiffy earrings from the Uffizi gift shop. And red boots - always the signature red boots. The hair was mostly inspired by a portrait that I included in my regency hair post - I'm not sure if she has little combs or if she did exactly the same thing as I did with the beads, but either way I think I got the right feeling going.

Monday, July 19, 2010

Ellen Emerson Doesn't Polka

Fair warning: Today will be a wordy and philosophical post. Also, I owe you pictures of my new dress at the Nahant Ball, but due to some technical difficulties (my camera is lost, the cord for mother's camera is lost...), I will have to continue to owe them.

A while ago I read a wonderful letter written by Ellen Tucker Emerson to her mother. I am familiar with the Emersons from my days of working at museums in Concord, but the fun part of this letter is what she says about the polka. Here is the letter as a whole, but part about the polka is bold if you want to skip the irrelevant bits:

Letter from Ellen Tucker Emerson to Lidian Jackson Emerson, January 08, 1856

My dear mamma,

It is rather late now so I can write only a little. Yesterday William [Emerson] and I went to call on Kitty Cobb, but she and her sister were out, and Mrs Cobb unable to see company. William is to leave Cambridge finally, in a week or two, and set himself up as a N. Y. lawyer. I was so surprised when he told me that he had to tell me once or twice that he wasn't a baby. Sunday night I went to Mrs Ward's to dinner and to spend the evening. Mrs Agassiz's mother and sisters were there, Mrs Hooper and Anna, Mr and Miss Huntington and Mr Drezel. Miss Sally Cary sang. Miss Emma Cary talked to Anna Ward and me about school. Mr Drezel played. Anna Hooper looked very pretty and talked to me a little while. And altogether it was very pleasant, only I was sleepy. Yesterday was dancing-school night. I enjoyed it wonderful to tell. I felt more like it than before and besides, Mother, there was another Washburn there! Ellen Washburn, exactly as lively and kind, almost as pretty, and with even more jump than Lizzy. She took care of me a good deal and when I danced with her I was surprised to find how difficult it seemed for her to keep on the floor, she seemed all the time in the air and only came down to jump up again. Lotty Hemenway was there too with her favorite Susy Minns, a very nice girl who danced with me once. But I did one thing that spoiled the evening. I don't dance the polka with boys, neither do most of the other girls. There was a polka going on and a man came up and asked me to dance. I forgot that it was polka, I didn't think at all about anything, but I just came down onto the floor and the man took hold of me. Then alas! I remembered that it was polka. Oh sorrow I felt so frightened and all round the room I considered all the vexatious consequences of a little forgetfulness, till when I was set down I ran right to Mrs Washburn and asked what I should do. She said I had better keep out of the way of gentlemen in polka-time that night and the next night it would be forgotten, nearly, and I could say as before that I didn't dance with boys. But for all that I keep feeling so bad about it. I must tell Mrs Ward and see what she says before I am comforted. Good-night. Don't work too hard Mother dear, and never do anything in the evening but enjoy yourself with the children.

Ellen.


Isn't that interesting? I was reminded of this letter because I was talking to a vintage dancer who was complaining about people who use bits and pieces of "Victorian Etiquette" out of context, then complain that it doesn't work. Specifically, we were discussing the issue of the whole "a woman can never refuse a dance" myth. In fact, a woman should not refuse dance partners, unless she has a good reason. But she should if she has a good reason! Here is my break down of what constitutes a "good reason" historically, and how to apply it to the modern ballroom.

1) This is mostly a modern concern, but a lady may certainly refuse a dance with someone who is not behaving like a gentleman. So if a gentleman is harassing you or monopolizing you, you may absolutely say no. This is not being modern and icky, ignoring real rules of etiquette - this is being reasonable. They would have been just as reasonable (or perhaps harsher on him) in period. It is unfortunate that this comes up more often in the modern world, where men may not know how to behave like gentlemen. But you need not hold yourself to a rigid level of etiquette if you are dealing with someone who does not do the same. The "women not turning down dances" part of the equation only works if the rest of the system is functioning too, where men obey the social standards of that time period. So stop complaining about not being allowed to turn down obnoxious partners!

2) Period etiquette manuals give women permission to turn down dances with good (or only ok) reason. The key here is consistency. If a gentleman asks you to dance, the manuals give you permission to say no on the grounds of fatigue, or even of "fear of fatigue." I love that phrase. Once you have said that, though, you must sit that dance out... it is unacceptable to say you are too tired do dance with one person, then be seen doing that dance with someone else. Of course, more dramatic good reasons also are acceptable. I would certainly take "I can't dance with you because I am feeling violently ill and must leave" or "I can't dance with you because my skirt has ripped off and I have to go McGuyver an outfit for the rest of the ball." But I expect you to go to the ladies room and fix your skirt, not dance half naked with someone else. Seriously. And yes, I have seen a skirt get stepped on and then ripped practically off.

3) As Ellen Emerson showed us, you can even refuse dances as a matter of policy, as long as the policy is consistent. That is why she makes such a fuss about accidentally dancing a polka with a gentleman - not because that one dance was an awful experience, but because now it would be very rude to turn down a partner because she doesn't "polka with boys." Her excuse is no longer a polite way to refuse a partner, but would look like an insult. So be consistent. If you hate quadrilles, you may refuse them on principle, but if you use that excuse I better not see you dancing any quadrilles.

Now, I make it a policy to include something visual in every post, so even if you don't read all the boring things I say you can get something out of the post. I looked for pictures of Ellen Emerson, but she is not that well-dressed or fascinating for the most part. So instead, a random picture about a polka. Specifically, the Hippopotamus Polka. I think it is hilarious and cute.